Monday, December 8, 2014

Vespers (A collection of 3 poems)

I. A sentence
, which is not to say that I am lacking in that respect, but rather that my voice, a voice that relies on a pair of inherited chromosomes, the eternal promise that this air, the same air we’re sharing, will always be able to vibrate and carry those vibrations and transfer them to the hidden receptacles within your body so that you can interpret them, and not an insignificant amount of chance that my shaking voice will match to patterns you are familiar with – but of course you must be familiar with them as you are human and I am human and our humanities allow for a certain amount of innate understanding of one another unless you are, well, you know those people to whom I refer; there is a difference between talking and speaking and it lies in the fact that for one, there is no purpose, and for the other, the purpose is complex, evolving, and inviting others to eventually join a larger conversation over something that is personally meaningful and to somehow have to convey these abstract ideas and words by means of voices over which we have no control,





II.An Afterthought OR My views on the purpose of existence

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III.My Poem
“Man is least himself when he talks in his own person. Give him a mask and he will tell you the truth.” – Oscar Wilde

I speak with words not my own.
Who owns each syllable, each sound that drops from my lips like diamonds and diamondbacks?
Each hiss of breath,
hiss of hot lead
feverishly melting in delicate patterns on paper,
who owns this?
The writer has the fever,
infects her audience with its heat,
but the fever belongs to the disease which has come before,
and will come again,
though an age may pass in between of curséd health.
It’s the cacophony of teeth,
the smell of sweat and stale vomit,
the neatly simmered rage,
all of these things of mine,
that plagiarize the playwrights and philosophers of old,
those rulers of the Golden age of thought and reason and linguistic innovation,
who, in turn, plagiarized the divinity of the planets they could see,
somehow turning them into a mockery of a representation in the process.
But the planets are mere shadows in the background of some ancient man’s cave painting
and in the foreground is the only truth he knows:
the immediacy of his situation and,
unable to see past his need and into the future, he
like me,
speaks with words not our own.